Welcome to Natural Scotland

Abstract, ICM, ICME & Painting with Light

“This abstract, ICM, light painting and in-camera multiple exposure portfolio is an ongoing project to explore different techniques in image creation. Experimenting with different photographic genres is an important way to understand elements of composition; in particular: patterns, texture, shape, colour and depth. All of the techniques shown here can be tried with the minimal of kit and experience. What’s important is the ability to see the end result before you make the exposure; this is possible with an understanding of the way light, movement and composition will effect the final outcome. If you can visualise this, or at least have a reasonable idea, you can experiment to fine tune your results.

Each of the links below will give a more detailed explanation of each technique along with examples.”

Welcome to Natural Scotland

Abstract, ICM & Painting with Light

“This abstract, ICM, light painting and in-camera multiple exposure portfolio is an ongoing project to explore different techniques in image creation. Experimenting with different photographic genres is an important way to understand elements of composition; in particular: patterns, texture, shape, colour and depth. All of the techniques shown here can be tried with the minimal of kit and experience. What’s important is the ability to see the end result before you make the exposure; this is possible with an understanding of the way light, movement and composition will effect the final outcome. If you can visualise this, or at least have a reasonable idea, you can experiment to fine tune your results.

Each of the links below will give a more detailed explanation of each technique along with examples.”

Welcome to
Natural Scotland

Abstract, ICM, ICME & Painting with Light

“This abstract, ICM, light painting and in-camera multiple exposure portfolio is an ongoing project to explore different techniques in image creation. Experimenting with different photographic genres is an important way to understand elements of composition; in particular: patterns, texture, shape, colour and depth. All of the techniques shown here can be tried with the minimal of kit and experience. What’s important is the ability to see the end result before you make the exposure; this is possible with an understanding of the way light, movement and composition will effect the final outcome. If you can visualise this, or at least have a reasonable idea, you can experiment to fine tune your results.

Each of the links below will give a more detailed explanation of each technique along with examples.”